- 10 Apr - 16 Apr, 2021
- 03 Apr - 09 Apr, 2021
We were disappointed by this well-meaning movie, based on the true story of Mohamedou Ould Salahi from Mauritania in north-west Africa. A former muhajideen anti-communist fighter in Afghanistan in the 1990s, who was picked up and handed over to the US authorities after 9/11 and kept at Guantánamo Bay without charge or trial for a staggering 14 years, from 2002 to 2016; he was released when the state finally accepted his confessions were valueless, having been obtained through torture.
Franco-Algerian star Tahar Rahim plays Salahi; Jodie Foster plays Hollander and Shailene Woodley is her associate, Teri Duncan. Benedict Cumberbatch plays the crewcut military prosecutor Lt Col Stuart Couch, who was pretty gung-ho about getting the death penalty for his man until he realised that it meant relying on torture and disregarding the constitution and the rule of law.
The Mauritanian is a movie that appears to be comprised entirely of good guys: Salahi himself is a good guy, of course, and so naturally are Hollander and Duncan, doggedly ploughing through the boxes of legal documents that the authorities allow them to see, and persistently asking for more. But the chief prosecutor Couch is a good guy as well, troubled with his finally overwhelming qualms of conscience as a true patriot. Finally, Salahi gets his day in court in which, with stirring music on the soundtrack, he praises American TV shows and American justice itself.
So with all these potent good guys effectively rooting for the prisoner, why did he stay banged up for so long? There are no major players on the bad guy team here: authoritarian meanies are permitted on screen on condition that they are dramatically dominated by a liberal convert: Cumberbatch. There is nothing and no one in this film with the dramatic status of, say, Jack Nicholson’s ferociously unrepentant Colonel Nathan Jessup in A Few Good Men, scripted by Aaron Sorkin, and there is no “you can’t handle the truth” moment. There is just official silence from the authorities and the drama itself; a sombre announcement flashes up on screen that Salahi stayed in Guantánamo for six years after the prosecution collapsed in 2010 – by order of the Obama government. As for Salahi himself, he doesn’t seem bitter about the US nor Mauritanian authorities by the end of the picture; he doesn’t wish to take action against them, yet neither does he explicitly forgive them.