Top Boy
Crime Drama
Dushane (Ashley Walters) knows the best criminals go straight at the first opportunity, but his one-time comrade Sully (Kane “Kano” Robinson) is determined to establish dominance. This friction defines the final season of the gripping gang drama. After killing Jamie, Sully is hellbent on elbowing his way past Dushane, but is he cool enough for leadership? A horrific introduction to the methods of a new heavy-duty Irish drugs connection, Jonny (a terrifying Barry Keoghan), looks set to test him. Top Boy continues to do a fine job of locating these brutal conflicts within the struggles of embattled communities – the gangster world is contextualized but never glamorized.

The Changeling
Dark Romance
Initially, you might think this is a charming New York romance drama. But with a hint of something darker lurking in the periphery, before long there is a pivot into full-blown horror that might be explained by postpartum depression… or could be something much more sinister. Adapted from Victor LaValle’s 2017 novel, LaKeith Stanfield’s Apollo falls in love with librarian Emmy (Clark Backo). Their backstories contain foreshadowing traces of tragedy that manifest in a story that plays with themes of racism, magic, family inheritance and submerged trauma. Intriguing.

Is She the Wolf?
Game Show
A dating show with a savage twist, this Japanese series features a group of 10 young people, all apparently looking for love. But among the women of the group (why it’s only the women is never explained), there is at least one saboteur – a so-called “wolf” who is forbidden from falling in love and whose presence in the game merely acts as a source of mischief and misdirection. To add to the underlying air of oddness, the show is shot and presented as an eventful glossy drama. It’s never quite clear who is fooling whom. anachronistic charm.

The Killing Kind
Thriller
Based on Jane Casey’s novel, this dark thriller explores the toxic relationship between defence barrister Ingrid Lewis (Emma Appleton) and her stalker client John Webster (Colin Morgan). When Lewis wins a case involving Webster and his ex-girlfriend, she finds herself drawn into his life. And when her best friend Belinda is killed in mysterious circumstances, Webster persuades Lewis that she is in imminent danger and needs his protection. But who is threatening her? This is not TV concerned with plausibility, but it is ripe, pulpy melodrama all the same.