It was evening in Val d'Arno. The sun was sinking behind the horizon and twilight was descending upon the glorious vale. There lay the garden of Italy enclosed by mountains on either side, green and glowing in its verdant and luxuriant fertility, shaded by its groves of olive and cypress, with long avenues of stately trees. Flocks and herds grazed in the fields, vineyards flourished on the mountain declivities, and in the distance arose the summits of the wooded Apennines. The classic Arno flowed through the valley, bestowing gladness and

plenty on every side, its waters rolling on in slow and most melodious motion.

On every side, on the plain, on the sides and summits of the hills, everywhere appeared the white villas of the nobles, now hidden by the thick foliage of surrounding trees, and encircled by gardens where bloomed the most gorgeous and odoriferous flowers, now standing alone and lifting up their stately marble fronts surrounded by magnificent colonnades. In the midst of this lovely place, a queen over all around, lay Florence, the dearest and most charming city of the South-Florence, whose past glows with the brilliancy of splendid achievements in arms, arts and song, whose present state captivates the soul of every traveller, and binds around him a potent spell, making him linger long in dreamy pleasure by the gentle flow of the Arno's waters.

"Here," exclaimed Byron, in a rapture, as he looked down from a neighboring mountain upon this earthly paradise – ‘here', the Etrurian Athens claims and keeps A softer feeling for her fairy halls. Girt by her theatre of bills she reaps Her corn and wine, and oil, and plenty leaps to laughing life from her redundant horn, Twilight came on, and soon the moon arose, throwing a gentle glow upon the scene, and shedding around it a more bewitching influence. It was an evening fitted for pleasing meditation, such meditation as the poet loves, and for the interview of lovers. The gardens of Boboli never appeared more beautiful than now, for the solemn shadow of the groves was relieved by the soft illumination of the broad paths; the sheets of water glistened in the quiet moonbeams, and every statue and every sculptured form was invested with a new and indescribable beauty. Upon the summit of a hill within these gardens, sat a youth and maiden engaged in most earnest conversation.

The maiden was exceedingly beautiful, with a face which reminded one of the Madonna of Murillo, so gentle, so tender, and so bewitchingly lovely. The youth sat at her feet upon the green turf, and with his head turned back, gazing upon her, there was disclosed a noble and most handsome countenance. His long hair, black as night, fell from his forehead, and his eyes burnt like stars in the paleness of his face. There was an expression of genius stamped upon his lofty forehead, but there were care and anxiety in its frown. The stately form of the Palazzo Pitti was near at hand, and in the distance lay the city, with the stupendous dome of the cathedral, and the lofty form of the beautiful Campanile. "Stella," he said, in deeply musical tones – Stella, you know all my love and the desires of my soul. All are fixed upon you.

‘Fame and glory I only wish for as the means of obtaining you. But O, hard is the task and difficult is it for an unknown artist to gain the hand of the proud Count Borelloni's daughter. I would not grieve you by taking you without his consent, even if I were able.’

"Bless you! God bless you, my noble Mario for those noble words! Do not seek to draw me from him. Willingly would I give up all-wealth, and power and all-to live in obscurity with you. But my father loves me so fondly, that if I were to leave him, he would die. Let us wait, and perhaps he may overcome his prejudice toward you."

"He dislikes me because I am poor and unknown. But," exclaimed Mario, with a haughty glance, "the time may come and will come, when he will not he ashamed to acknowledge me. Art can ennoble the poor and obscure."

"I know you will become great, Mario. I know that your name will be spoken with honor, and that before long. When I first saw you here in Florence, when I afterwards heard you tell me your love as we walked by the waters of Lake Perugia, I knew that you would become famous."

"And then, if I ever gain fame and honour, all shall be laid at your feet, Stella."

"You can wait then, and seek for fame, Mario, to give you acceptance in my father's eyes. You can wait, for you know my constancy."

"I know it, and I would trust it always. I know your noble soul, Stella, its lofty qualities lead me captive, and I worship you as a divinity."

The impassioned youth bent down before her, but she prevented him, and suddenly asked: "How do you proceed with your painting?"

"Well, I am proceeding well, for I am inspired by the thoughts of Stella."

"Then I inspire you, do I?"

"O Stella, you fill my soul with new conceptions of angelic beauty, and while your image dwells in my mind, I look back upon it and place every feature, every expression living upon the canvass! If this picture is completed, your father's love for art will make him respect the creator of this new piece."

"And he will honour you and love you."

"It must be completed in two or three months now. I seek new ideas of loveliness from you, Stella, and then my picture receives them."

"And suppose you fail, Mario." said Stella.

"Fail? O I cannot. But if I do, then will I despair? No, I will go to Rome and devote myself entirely to art. But it is late, Stella. We must go, and I will see you home before your father returns."

And the gardens of Boboli were empty. What city is so delightful as Florence on the afternoon of a lovely day in early spring, when the sun glows above from an unclouded sky, and the Arno flows on through the midst of the city, amid its magnificent palaces, beneath its lovely bridges. Then beauty reigns everywhere. The Lung' Arno, the Casino, the Via Calziolajo are thronged with carriages, with horsemen and footmen, with offices and soldiers, men, women and children. Beautiful flower girls carry around their bouquets and bestow them on the stranger, expecting but never asking some little doucer in return. The gloomy palaces of the middle ages, the magnificent churches of early times, towers and colonnades, statues and fountains, arrest the eye and charm the beholder. All is joyousness and beauty. Among the throngs of carriages which rode along the Lung' Arno and down to the Casino, none was more noticed than that of the Count Borelloni. It was a splendid equipage drawn by two fiery horses, to guide which the utmost skill of the coachman was needed. The old count was of a remarkable appearance.

His countenance was noble and his air commanding. He was noted through Florence for his wealth and taste. Artists of every kind found in him a patron. It was at his palace that Mario Fostello had first attracted attention by his genius and the beauty his pictures. He had seen Stella, had loved her, and had spoken to the old count, telling him that he would seek after fame if he would bestow his daughter upon him. But the indignation and pride of Borelloni rose high, and he contemptuously ordered Mario to withdraw and never again to enter his house. There was one feeling in the heart of the old count which far exceeded every other, and that was an intense love for his daughter.

Beautiful, high-souled and accomplished, she was worthy of the highest station in the land, and such a station he desired for her. They now rode in their carriage-father and daughter; an aged oak and a young and tender vine, one supported the other, which gave it beauty and attractiveness. Stella attracted the gaze of all by her exquisite beauty, but there was one whom she saw walking swiftly past, the sight of whom sent a thrill through every vein-for well she knew the tall and stately figure of Mario.

"Stella," said her father, "there goes the ambitious painter-that is the man who had the unspeakable presumption to ask your hand of me. He, a paltry artist. See him as he walks along there."

Stella's blood rushed to her face, and her frame trembled with agitation. She turned away her head to hide her confusion.

"Look, do you see him?" said her father.

"Who?" said she.

"Why, Mario, the artist, but he is out of sight. What is the matter, Stella? Tell me my child, are you ill? Why are you so pale? You change colour.

You are sick, my daughter. We must go home."

"O no, father. Do not go home. It was but a passing faintness, I will soon get ever it."

"You are very pale, my child."

"It is nothing, father.

But look-what is the matter with the horses?"

The horses seemed fretful and impatient. They reared and kicked, they were unruly and troublesome. The coachman looked pale and anxious.

"The horses? Nothing!"

said her father.

"They are quiet enough.

I like to have a little spirit in my animals."

Many of the passengers in the streets looked with alarm upon the animals whom the count dreaded so little.

"Good day, Borelloni," exclaimed a gentleman on horseback; "a most beautiful day!"

"Your servant, signor," answered the count.

"It is a lovely day."

"Your horses seem vicious, they are very unruly, are they not!" said the gentleman.

"O no-they are a little excited-they will presently become calm. A very great number of people are out to-day."

"Yes, a large number," replied the gentleman, looking somewhat anxiously at the horses. After a few moments he rode away.

"Your excellency?" said the coachman to the count.

"Well?" he replied.

"Your excellency's horses are unmanageable, or will be so soon. They are not used to these crowded streets."

"If they do not become so soon, they never will be," said Borelloni.

The horses began to plunge, and rear, and snort more violently, so much so, that all the people were terrified and got out of the way. The coachman seemed unable to control them. Mario was in the Casino, walking beneath the shadow of the trees. The cool breeze from the mountains fanned his fevered brow, as he walked hurriedly along.

"I am poor. I am an artist, unknown, uncared for but by one, and that one is the noblest of her. I live only to gain her. When my picture is finished, I shall be no longer obscure. When my fame exceeds that of the haughty count, I may well demand his daughter."

Such were the thoughts that passed through his mind as he walked on.

"I heard his words,"

he proceeded.

"I heard his contemptuous words as I passed the carriage, and know the scorn which he feels for me. But Count Borelloni," he exclaimed, raising his hand, "I will make you know that birth alone does not constitute greatness. I will make you know that a lofty soul can struggle upwards."

Suddenly, far away from the Lung' Arno, sounded a loud reverberation of many voices, an immense outcry mingled with the deep rumbling of carriage wheels, and the fierce neighing of horses. There were sounds like the rush of a great multitude, and cries of terror mingled with one another in appalling confusion. Mario started, and turned back. Casting his eye toward the city, he saw far away in places where the trees did not intercept his view, numbers of men rushing to and fro. He stood alone in the utmost perplexity, for no one was near to tell him the cause of that great uproar. The clamor and rumbling of wheels came nearer and nearer, rattling over pavements, dashing against obstacles. It came nearer, and soon he saw a carriage dragged on with terrific speed by two furious horses, who, without driver or postilion, came on unrestrained.

The carriage was knocked against trees and dashed violently against stones. In it there was an old man leaning back with a pale face, expressing intense agony, and close to him, clung the form of a young girl-her arms wound round him, and her dishevelled hair floating in the breeze.

to be continued...